square photographer, photographer of minute hands
My
name is Manuel Lopez Garcia, Photographer, as part of an individual
project rescue our memory a photographer developed the minute hand, a
character who is part of our intangible heritage.I
intend to start from Valparaiso enhancement of trade in the city
disappeared for fifteen years or so, which brings us closer to our roots
photographs.¨ As in other facts of our history as a nation is the birthplace of Valparaiso in Chile photography. Indeed the daguerreotype had appeared in 1840. On
June 6 of that year, El Mercurio de Valparaíso echoes the visit of
Louis Copmte priest who, passing through the port, was carrying a
camera, "Giroux" and had received instructions from Daguerre himself
before leaving Nantes in 1839.Robert H. Vance arrived at Valparaiso in February 1847, immediately becoming known as a portraitist. Thanks
to a clever press campaign, parading through the halls of Vance and
Hoytt [his partner] the best society of Valparaiso and Santiago,
government officials, priests, lawyers, soldiers, merchants, landlords
and of course respectable ladies with their children. .. atelier fame spread beyond the capital and its echoes reached provincial towns "Gustavo
Milet, born in Valparaiso, and of French origin, does its work largely
in Lebu in 1886 where he moved to Traiguén around 1890.Other photographers "founders" is Obder Heffer. Born in Canada, arrived in Chile in 1886 hired to work at the prestigious "Photo Garreaud". From 1910 up his own studio, and its activity is diversified inroads into the importation of photographic papers and films. His work was quite prolific including urban views of Santiago, landscapes of the Andes and south of the country.
A critical photographic work of history in Chile is that conducted by Harry Olds, who passing through the country made a collection of plates, the number of forty-over Valparaiso in the early twentieth century and which were published in 1999 under the title "Valparaiso 1900: Photos / Harry Olds"In addition to these photographs, the author gives us a score of letters to various members of his family by Olds from Chile, and which together with reports and comments everyday, almost puts us in the presence of a travelogue, which is useful to plot the vision of an alien who assists the turn of the century Creole. ¨ (1)Approximately in 1920 minute hand is the picture in Chile and it was through this mechanism that photography was democratized and went out to public places to keep track of citizens in their daily lives.The minute hand photograph was popular until the 80 twentieth century, vanished in the mists of time without hardly documented.The workplace of the "timers" as it used to be called street photographers, could be either in the Muelle Prat, or Victory Square, Plaza Echaurren; Plaza Anibal Pinto as Italy Park, in El Almendral and in the viewpoints rides and hills of Valparaiso, in Plaza O'Higgins worked the last two teachers, being displaced by technology or the documentation of street vendors.Going on a trip to Viña del Mar, the were before the flower clock, with its old box camera on a tripod and a monkey coming up the reins of Victories dressed in costume.The proclamation was to attract customers ¨ ¨ Photo Minute photograph because it was a matter of a couple of minutes in his wooden box, a laboratory notebook that can capture light on various materials such as metal, glass, paper or other and disclose in its interior.There were those who walked the beaches with his camera on his shoulder. The outfit consisted of a neat white hat cotona according to the custom of the time.The order for the shot was ¨ ¨ look at the bird, with that paid attention to the portrait photographer and sat still long enough for the shot, the camera rested on a parrot that accompanied the photographer.After taking the photo, the photographer advised the sailor who wore his uniform proudly in Plaza Sotomayor, or the bridal couple portrayed in the walk Yugoeslavo, who brought the copy in hand until a dry well. And so they walked away, taking a photo at one end and shaking it gently.Some photographers place lit by painting pictures with colors pink, blue, green, or yellow land. Others were accompanied by a rocking horse, or dolls of familiar characters, trying to attract the interest of younger children, or with large curtains where only portrayed introduced through a hole in his head pretending to be an aviator taking off from the torpedo, in the midst of the sea or other allegorical.The image obtained in postcard format was stamped by the respective stamps each photographer or mounting them on beautiful mat is giving him a single character to the copy making collectible at a level such as philately.(1) History (James) Alexander Abel - Margarita Alvarado - Karen Berestovoy - Andres Diaz - José Luis Granesse - Juan Domingo Marinello.Historia of Photography in Chile: Rescue Footsteps in the Light. Santiago, National Photographic Heritage, 2000.142 págs.con illustrations. On-line version ISSN 0717-794 http://www.scielo.cl
I intend to use this art for a living extinct, seeking a way to claim a character that is part of our urban history. Lukas portrays him in his book ¨ ¨ porteños notes as part of the urban landscape of Valparaiso.It is also very educational explain how photography works in the physical chemical process in a theoretical and practical citizenship in the street and approaching an art and photography, as experience, in all its processes.I recently got permission to work on public roads in the City of Valparaiso, and well within the historic rescue of the intangible heritage, in the words of Adriana de Castro, an expert Brazilian NGO ¨ ICOMOS Intangible Heritage Valparaiso has a great presentation in literature, customs, places of conventional wisdom. Fishermen, for example, have their own culture, and dance, music, traditions of the people, the culture of Buenos Aires, this whole scene is very rich in the application of Valparaiso as a World Heritage ¨. (2)¨ The importance of intangible cultural heritage is widely recognized by the world community and of its safeguarding. Article 2 of the Convention for the Safeguarding of Intangible Cultural Heritage, adopted from October 17, 2003 by the General Conference of UNESCO at its 32nd session, provides that intangible cultural heritage provides communities, groups and individuals a sense of identity and continuity, while the safeguarding of intangible cultural heritage ensures diversity and increasing cultural diversity. However, much of the knowledge and skills associated with cultural expressions that are embodied in, for example, music, dance, theater and crafts are in danger of disappearing due to the decreased number of their practitioners, for lack of funds or the negative effects of globalization.One of the most effective means to carry out the safeguarding of intangible cultural heritage is to ensure that the holders of these assets continue to further develop their knowledge and skills and transmit to younger generations.With this in mind, the holders of equity must be identified and given official recognition. This is the reason why UNESCO proposes that Member States set up systems of "Living Human Treasures."UNESCO provided financial and / or technical assistance to help StatesMembers in creating a system of Living Human Treasures by contributions from Member States and Program ParticipationBudget. ¨ (3)
(2) El Mercurio de Valparaíso, Year 175 - Nro.60119 - Tuesday, July 30, 2002, http://www.mercuriovalpo.cl(3) UNESCO vivos.pdf human treasures. Guidelines for the creation of national ¨ ¨ living human treasures. http://portal.unesco.org/culture/es/ev.php-URL_ID=2225&URL_DO=DO_TOPIC&URL_SECTION=201.html
I attended the tribute to the organ and made the day chinchineros heritage in the theater district of Valparaiso, in addition to the feast of St. Peter where I had the honor of making a record with my camera which I restored recently dating from about 1920. 536585 Jena Carl Seiss.This camera belonged to a photographer minute of Santiago, the teacher Lagos, Renca, who attended birthday celebrations in my family with your camera, just approached me in a special way to associate photography holidays, the death the widow decided to throw what was left of the lab teacher away and life chances of those passing by with my Father who speaks with her to sell us.He had previously studied basic photography in the center of dissemination and study of photography. Santiago 1998, composition, lighting, and advertising photography nude photo film club in Santiago 2001-2003, I was working in a pharmaceutical laboratory seminars covering doctors when I go to Valparaiso and I explore a bit and I realize that a photographer minute no longer exists, so I decide to take this adventure with a few savings and settle in this city and from there to focus on the craft and radiate to the rest of the country.The record that you perform the network share the heritage of Valparaiso files ARPA (http://biblioteca.ucv.cl/proyectos/archiveros/) which works at the Pontifical Catholic University of Valparaíso where he studied at conservation workshops and archives thanks to the interest and support expressed by this institution in the results of this heritage rescue.I intend to bring the picture to achieve the public, making a record of contemporary everyday life is what we identify in the future, in addition to rescue a trade almost extinct in Chile, because right now we are about five photographers who continue this tradition in the country.As a second step I intend to contact the remaining timers of Chile with the intention of forming a group to protect the great legacy and information that have these characters in urban history. In addition to fostering a culture of respect for this type of living heritage holders.I have also been invited to be part of the Iberoamerican Society of History of Photography, as a researcher, group led by Professor Abel Alexander Argentino, which showed much interest in the rescue that I'm supporting it at home or timers still exist chasiretes, have them covered and protected by a law heritage.He commented further that I sponsor a volunteer group of 20 schoolchildren Diego Portales wide beach at which I teach the craft of photography photographer minute and all its processes and the importance of this for our memory and file, within the Watchers program called ¨ ¨ http://vigiasdelpatrimoniovalparaiso.blogspot.com/ Heritage, which is carried out by MINVU. in the Fifth and Sixth Region
Parallel to participate as a volunteer at the Heritage Craft Center of Valparaiso, http://groups.google.cl/group/Artesanos-del-Patrimonio-de-Valparaiso?hl=es, capacitándome heritage, history and culture and then restored at an early stage of the lift hill Augustine Cordillera and place to serve the community as a community center, meeting with our cultural and architectural traditions.Since September 2005 participated in a course taught wood restoration in Chile by the Istituto Italo Latino Americano http://www.iila.org/web/publishing.nsf/Content/Cooperazione_Formazione_Restauratori_Legno_ESPANOL, I intend to apply knowledge in the restoration of box cameras or other photography which in the beginning was experimented with elements made of wood.I want to thank the support received by the community of Valparaiso and the reception of each of the people who encouraged me in this quest.
Any information I can provide, historical or anecdotal me be very useful in my work, some of it can be accessed at:
valparafoto@gmail.com
A critical photographic work of history in Chile is that conducted by Harry Olds, who passing through the country made a collection of plates, the number of forty-over Valparaiso in the early twentieth century and which were published in 1999 under the title "Valparaiso 1900: Photos / Harry Olds"In addition to these photographs, the author gives us a score of letters to various members of his family by Olds from Chile, and which together with reports and comments everyday, almost puts us in the presence of a travelogue, which is useful to plot the vision of an alien who assists the turn of the century Creole. ¨ (1)Approximately in 1920 minute hand is the picture in Chile and it was through this mechanism that photography was democratized and went out to public places to keep track of citizens in their daily lives.The minute hand photograph was popular until the 80 twentieth century, vanished in the mists of time without hardly documented.The workplace of the "timers" as it used to be called street photographers, could be either in the Muelle Prat, or Victory Square, Plaza Echaurren; Plaza Anibal Pinto as Italy Park, in El Almendral and in the viewpoints rides and hills of Valparaiso, in Plaza O'Higgins worked the last two teachers, being displaced by technology or the documentation of street vendors.Going on a trip to Viña del Mar, the were before the flower clock, with its old box camera on a tripod and a monkey coming up the reins of Victories dressed in costume.The proclamation was to attract customers ¨ ¨ Photo Minute photograph because it was a matter of a couple of minutes in his wooden box, a laboratory notebook that can capture light on various materials such as metal, glass, paper or other and disclose in its interior.There were those who walked the beaches with his camera on his shoulder. The outfit consisted of a neat white hat cotona according to the custom of the time.The order for the shot was ¨ ¨ look at the bird, with that paid attention to the portrait photographer and sat still long enough for the shot, the camera rested on a parrot that accompanied the photographer.After taking the photo, the photographer advised the sailor who wore his uniform proudly in Plaza Sotomayor, or the bridal couple portrayed in the walk Yugoeslavo, who brought the copy in hand until a dry well. And so they walked away, taking a photo at one end and shaking it gently.Some photographers place lit by painting pictures with colors pink, blue, green, or yellow land. Others were accompanied by a rocking horse, or dolls of familiar characters, trying to attract the interest of younger children, or with large curtains where only portrayed introduced through a hole in his head pretending to be an aviator taking off from the torpedo, in the midst of the sea or other allegorical.The image obtained in postcard format was stamped by the respective stamps each photographer or mounting them on beautiful mat is giving him a single character to the copy making collectible at a level such as philately.(1) History (James) Alexander Abel - Margarita Alvarado - Karen Berestovoy - Andres Diaz - José Luis Granesse - Juan Domingo Marinello.Historia of Photography in Chile: Rescue Footsteps in the Light. Santiago, National Photographic Heritage, 2000.142 págs.con illustrations. On-line version ISSN 0717-794 http://www.scielo.cl
I intend to use this art for a living extinct, seeking a way to claim a character that is part of our urban history. Lukas portrays him in his book ¨ ¨ porteños notes as part of the urban landscape of Valparaiso.It is also very educational explain how photography works in the physical chemical process in a theoretical and practical citizenship in the street and approaching an art and photography, as experience, in all its processes.I recently got permission to work on public roads in the City of Valparaiso, and well within the historic rescue of the intangible heritage, in the words of Adriana de Castro, an expert Brazilian NGO ¨ ICOMOS Intangible Heritage Valparaiso has a great presentation in literature, customs, places of conventional wisdom. Fishermen, for example, have their own culture, and dance, music, traditions of the people, the culture of Buenos Aires, this whole scene is very rich in the application of Valparaiso as a World Heritage ¨. (2)¨ The importance of intangible cultural heritage is widely recognized by the world community and of its safeguarding. Article 2 of the Convention for the Safeguarding of Intangible Cultural Heritage, adopted from October 17, 2003 by the General Conference of UNESCO at its 32nd session, provides that intangible cultural heritage provides communities, groups and individuals a sense of identity and continuity, while the safeguarding of intangible cultural heritage ensures diversity and increasing cultural diversity. However, much of the knowledge and skills associated with cultural expressions that are embodied in, for example, music, dance, theater and crafts are in danger of disappearing due to the decreased number of their practitioners, for lack of funds or the negative effects of globalization.One of the most effective means to carry out the safeguarding of intangible cultural heritage is to ensure that the holders of these assets continue to further develop their knowledge and skills and transmit to younger generations.With this in mind, the holders of equity must be identified and given official recognition. This is the reason why UNESCO proposes that Member States set up systems of "Living Human Treasures."UNESCO provided financial and / or technical assistance to help StatesMembers in creating a system of Living Human Treasures by contributions from Member States and Program ParticipationBudget. ¨ (3)
(2) El Mercurio de Valparaíso, Year 175 - Nro.60119 - Tuesday, July 30, 2002, http://www.mercuriovalpo.cl(3) UNESCO vivos.pdf human treasures. Guidelines for the creation of national ¨ ¨ living human treasures. http://portal.unesco.org/culture/es/ev.php-URL_ID=2225&URL_DO=DO_TOPIC&URL_SECTION=201.html
I attended the tribute to the organ and made the day chinchineros heritage in the theater district of Valparaiso, in addition to the feast of St. Peter where I had the honor of making a record with my camera which I restored recently dating from about 1920. 536585 Jena Carl Seiss.This camera belonged to a photographer minute of Santiago, the teacher Lagos, Renca, who attended birthday celebrations in my family with your camera, just approached me in a special way to associate photography holidays, the death the widow decided to throw what was left of the lab teacher away and life chances of those passing by with my Father who speaks with her to sell us.He had previously studied basic photography in the center of dissemination and study of photography. Santiago 1998, composition, lighting, and advertising photography nude photo film club in Santiago 2001-2003, I was working in a pharmaceutical laboratory seminars covering doctors when I go to Valparaiso and I explore a bit and I realize that a photographer minute no longer exists, so I decide to take this adventure with a few savings and settle in this city and from there to focus on the craft and radiate to the rest of the country.The record that you perform the network share the heritage of Valparaiso files ARPA (http://biblioteca.ucv.cl/proyectos/archiveros/) which works at the Pontifical Catholic University of Valparaíso where he studied at conservation workshops and archives thanks to the interest and support expressed by this institution in the results of this heritage rescue.I intend to bring the picture to achieve the public, making a record of contemporary everyday life is what we identify in the future, in addition to rescue a trade almost extinct in Chile, because right now we are about five photographers who continue this tradition in the country.As a second step I intend to contact the remaining timers of Chile with the intention of forming a group to protect the great legacy and information that have these characters in urban history. In addition to fostering a culture of respect for this type of living heritage holders.I have also been invited to be part of the Iberoamerican Society of History of Photography, as a researcher, group led by Professor Abel Alexander Argentino, which showed much interest in the rescue that I'm supporting it at home or timers still exist chasiretes, have them covered and protected by a law heritage.He commented further that I sponsor a volunteer group of 20 schoolchildren Diego Portales wide beach at which I teach the craft of photography photographer minute and all its processes and the importance of this for our memory and file, within the Watchers program called ¨ ¨ http://vigiasdelpatrimoniovalparaiso.blogspot.com/ Heritage, which is carried out by MINVU. in the Fifth and Sixth Region
Parallel to participate as a volunteer at the Heritage Craft Center of Valparaiso, http://groups.google.cl/group/Artesanos-del-Patrimonio-de-Valparaiso?hl=es, capacitándome heritage, history and culture and then restored at an early stage of the lift hill Augustine Cordillera and place to serve the community as a community center, meeting with our cultural and architectural traditions.Since September 2005 participated in a course taught wood restoration in Chile by the Istituto Italo Latino Americano http://www.iila.org/web/publishing.nsf/Content/Cooperazione_Formazione_Restauratori_Legno_ESPANOL, I intend to apply knowledge in the restoration of box cameras or other photography which in the beginning was experimented with elements made of wood.I want to thank the support received by the community of Valparaiso and the reception of each of the people who encouraged me in this quest.
Any information I can provide, historical or anecdotal me be very useful in my work, some of it can be accessed at:
valparafoto@gmail.com
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